June 12, 2025 | 8:30 PM
06/25
Ansambl Synchronos
In the new edition of the concert series Architecture and Music, produced in collaboration with the Synchronos ensemble, as part of the Creative Hour program, we explore the historical, technical, and aesthetic parallels between these two media. The focus is on the music of the 20th and 21st centuries and its ability to redefine acoustics and spatial perception, with the architecture of Urania becoming an active participant in the performance.
Structure, proportion, dynamics, and rhythm are just some of the shared languages of architectural and musical creation. As Daniel Libeskind once wrote, architecture and music are “historical partners and occasional rivals.” This evening, through the performance of contemporary compositions, poses a concrete question: Can space become a score, and can sound be spatially articulated?
The repertoire includes works that conceptually and technically embody this connection:
Performers from the Synchronos Ensemble:
Through the deconstruction of formal constraints of the traditional concert experience, Synchronos challenges the act of listening, placing the audience in the role of acoustic witnesses to the architectural space. The project also opens questions about the relationship between performance, sound, and the context of the space in which the event takes place. The acoustics of Urania become an instrument in the hands of the performers, while the architectural organization of the space reflects and complements the dynamic shifts of the musical performance.
Let us recall that the conceptual connections between music and architecture date back to Pythagorean theories of harmony, Renaissance treatises on proportion, and modern digital design strategies that integrate algorithmic and modular methods. Composers such as Iannis Xenakis, both architect and composer, radically fused the two media through structural and mathematical approaches – a practice that ensembles like Synchronos continue through performance.
In his introductory remarks, composer Marko Slaviček will reflect on the historical and contemporary relationships between these two art forms and introduce the audience to the specifics of creating music inspired by architectural principles.
This event brings together architects, composers, spatial theorists, and lovers of experimental music in a discursive-musical experience that blurs the boundaries between sound and space.
Seats are limited, so please reserve your place here. Admission by donation: €10.
This program is co-financed by the City of Zagreb, Croatian Composers' Society (HDS), and the Maksimir Cultural Centre.
Ana Batinica
Iva Ledenko
Eva Fritz
Bogdan Bikicki
Petar Kšenek
11/25
Urikač
10/25
Milan Stefanović
10/25
ZvUQ (Zagreb Unlimited Quintet)
10/25
Ana Šverko, PhD
Damir Gamulin
10/25
Anita Krmek
Jelena Babić
Marja Mia Kolendić
09/25
Mate Picukarić - Maali
07/25
Nenad Vukušić
06/25
Joanna Swiderska
Renata Zorić
Jeffrey Huyghe
06/25
Dean Franić
Anja Filipec
Tana Gerenčer
05/25
Edin Karamazov
Melita Ivković
04/25
Jure Živković
Aljoša Kotnjek
03/25
Ansambl Synchronos
03/25
Vanja Žanko
Marko Tadić
Saša Begović
02/25
Zagreb Klezmer Trio
02/25
02/25
Jelena Bando
Tea Ujević
01/25
Stanislav Habjan
Dubravka Zima
Branko Čegec
Katarina Mažuran
Jagna Pogačnik
Sven Popović
Nenad Rizvanović
12/24
Klapa Dišpet
09/24
07/24
07/24